Die Wise: A Manifesto for Sanity and Soul, by Stephen Jenkinson
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Die Wise: A Manifesto for Sanity and Soul, by Stephen Jenkinson
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Die Wise does not offer seven steps for coping with death. It does not suggest ways to make dying easier. It pours no honey to make the medicine go down. Instead, with lyrical prose, deep wisdom, and stories from his two decades of working with dying people and their families, Stephen Jenkinson places death at the center of the page and asks us to behold it in all its painful beauty. Die Wise teaches the skills of dying, skills that have to be learned in the course of living deeply and well. Die Wise is for those who will fail to live forever. Dying well, Jenkinson writes, is a right and responsibility of everyone. It is not a lifestyle option. It is a moral, political, and spiritual obligation each person owes their ancestors and their heirs. Die Wise dreams such a dream, and plots such an uprising. How we die, how we care for dying people, and how we carry our dead: this work makes our capacity for a village-mindedness, or breaks it.Table of ContentsThe Ordeal of a Managed DeathStealing Meaning from DyingThe Tyrant HopeThe Quality of LifeYes, But Not Like ThisThe WorkSo Who Are the Dying to You? Dying Facing HomeWhat Dying Asks of Us AllKidsAh, My Friend the Enemy
Die Wise: A Manifesto for Sanity and Soul, by Stephen Jenkinson- Amazon Sales Rank: #10709 in Books
- Brand: North Atlantic Books
- Published on: 2015-03-17
- Released on: 2015-03-17
- Original language: English
- Number of items: 1
- Dimensions: 8.99" h x 1.14" w x 6.01" l, .0 pounds
- Binding: Paperback
- 416 pages
Review “Stephen Jenkinson’s elegant and sorrow-freighted book brings prophetic insight rather than pastoral affirmations. A true story-man, Jenkinson paints image after image on the cave wall of his parchment. Die Wise is a formidable body of work, road-tested in ways most of us hope never to know about. Stay with it, hold the sorrow as the gift it is, savor in small, immense chunks. Every word is an invitation to trade fantasy for imagination. There isn’t a book like it.” —Dr. Martin Shaw, author of Snowy Tower: Parzival and the Wet, Black Branch of Language
About the Author STEPHEN JENKINSON MTS MSW is an activist, teacher, author, and farmer. He has a master's degree in theology from Harvard University and a master's degree in social work from the University of Toronto. Formerly a program director at a major Canadian hospital and medical-school assistant professor, Stephen is now a sought-after workshop leader, speaker, and consultant to palliative care and hospice organizations. He is the founder of The Orphan Wisdom School in Canada and the subject of the documentary film Griefwalker.
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52 of 53 people found the following review helpful. slow at first, powerful by the end By A reader I had quite mixed reactions to this book. On the one hand, the author clearly has many years of experience working with dying people, their families, and various health workers. He writes with great sensitivity. Sometimes his stories brought back vivid memories of deaths of loved ones: the mysterious course that life can take; the fear on all sides; the unknowns; the frustration with the medical system; the strangeness of it all (especially watching someone's consciousness wax and wane - can they hear us? are they aware?) and the relief that simple kindness could bring.Several things make this a difficult read: first, the subject matter; also, an underlying cynicism from Jenkinson, and partly the writing itself, which tends to be wordy and to wander in unexpected directions, the way one might in an impassioned conversation about a cherished subject. Jenkinson repeats his ideas many times, and spends long stretches of the book telling us what is *not* working in our society's approach to death before finally beginning to write about about how to "die wise." He is extremely critical of the modern practices that extend the lives of people with life threatening illnesses, and of palliative care as offered today. The implications and complications of all of this are revisited many times: "more time" (to live) means "more dying" (as opposed to a quick, peaceful death that is not anticipated.)However, as the chapters go by, Jenkinson's ideas for a better way gradually emerge, and well into the book, he writes eloquently and passionately about true acceptance of death and honest conversation with the dying, as opposed to "cheerleading" and denial of what is really happening. He uses lots of imagery from nature, and occasionally quotes beautiful poetry to underscore his points.Not the easiest read, but in the midst it all, there are touching and even beautiful moments. Recommended to readers who can be patient and flexible with the above.
48 of 52 people found the following review helpful. Important Subject and Valuable Insights Lost in Overly-Idiocsyncratic Prose By Burgundy Damsel I very much wanted to like this book. I loved The Smoke Gets In Your Eyes and was hoping that this would be a great companion book on the important subject of America's death phobia from a different angle.So let's start with the good: the author clearly knows his subject. His deep commitment to it saturates the pages. He addresses some critical issues surrounding death, dying, and - importantly - struggling to die in our modern culture. He has good stories that have the potential to movingly speak to the complications we've created for ourselves, and the horrible positions so many people find themselves in. The book has tremendous potential for power, depth, and impact.Unfortunately, it never achieves that potential. It was agonizingly slow to read and hard to process, because the author has an exceptionally idiosyncratic writing style (for lack of a better description). I read a lot, in many different genres, so I'm usually pretty good at adapting to an author's writing style. But here I found myself constantly re-reading sentences - not just twice, but four and five times trying to decipher what the author was saying. Sentences and paragraphs were set up in ways that, although technically grammatically acceptable, were extremely hard to follow, bouncing back and forth between people and subjects. Powerful lessons and subtle emphasis were completely obscured by unnecessarily hard to follow writing.Although everything was genuinely connected, and should have been woven seamlessly together as part of a larger picture, transitions were not smooth. The text didn't jump jaggedly from one topic to another so much as never clearly establish where you were or where you were going. I'd abruptly realize that I was reading about something completely different than I had been two pages ago, with no idea how we got there or why, and wonder what happened to the previous topic, since it hadn't been resolved in any way.Reading this book felt like being lost in a huge, exotic city and wandering around corners and down narrow, densely packed streets. You know that all the streets are interconnected as part of a larger, clear city design, but you can't see it. There are fascinating things everywhere that could take days to explore, and provide plenty to savor, but they're so lost in the babble of unfamiliar languages, bright colors, and packed crowds that you can't quite reach or touch them.I feel like the author is one of those people who would be great to interact with in person, in a specific, small-group setting designed around the material. Sadly, he did not (in my humble opinion) succeed in translating his message into an accessible form in this book.
39 of 43 people found the following review helpful. Good Substance; Bad Form By Zoeeagleeye The excellently titled "Die Wise" by Stephen Jenkinson is a work of passion, poetic sensibility and high intelligence. So why only three stars: well, it may seem I quibble, but let me state my case. First, Jenkinson, despite his deeply rooted prose, tends to overwrite. If you had all the world and time, you could imagine yourself sitting down with an interesting and knowledgeable friend and discussing various aspects of life. All to the good. But let's face it: you're not a participant in this "discussion." You are an audience member. You have no input and are at the mercy of whatever the speaker (Jenkinson) wishes to throw into the mix. If he takes a left turn and you want to go right, too bad. For example, he announces that he will tell a story. Fine. But more than 29 lines later he is still telling you what a story is, what it stands for, how it changes, matters and expresses. In delightful prose, perhaps, but somewhat off the point of the book. Here is a lovely part of it, though: " . . . stories that can only be told when the land sleeps under snow, when the saplings snap, when the night sky is so blue black that the stars are like ragged holes dug through from the other side to let the light of the Other World into this one for a time." See what I mean? Glorious, but off the mark.Second, he tends to objectify medical personnel, using them to make his point without regard to their humanity. Perhaps he doesn't mean to do this, but it comes across that way.Third, somebody, either Jenkinson or someone at North Atlantic Books made the really stupid decision to print the book in small, gray print. I can't tell you how difficult it is to read! My eyes were aching and watering after 25 pages. These two choices do a disservice to the writer and to the publisher because if I saw this book in a bookstore I would reluctantly put it back on the shelf. How bright was it of someone to choose such light gray color and tiny print in a book whose primary market, it seems to me, is the elderly? It's like serving a gourmet meal on chipped, cracked and dirty plates.But if you think you can stand the eyestrain, a little verbosity and haranguing, you will be rewarded with well-considered writing, interesting perspectives, a philosophical bent and knowledge about the "end times" that await us all.
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